That said, the magnificent “Mahogany Dread” comes close: an uncommonly successful ode to parenthood, as well as a love song interested in a long-term relationship’s middle and main part, rather than the woozy beginning or the bitter end, it’s proudly adult without being, you know, adult-orientated.Īt times, Lateness of Dancers doesn’t so much toy with Americana cliché that Taylor has studiously avoided in the past as fall headfirst into its alluring arms: whisky is drank, mandolins are left in the rain and inspirational if compromised figures play guitar in bluegrass bands. It’s hard not to read Lateness of Dancers as a more intensely personal offering than past HGM offerings, with any potential cosiness and staidness suggested by the issues at hand offset by just the right amount of doubt, restlessness and a compelling air of mystery, even if we don’t quite hit the heights of past triumphs such as “Jesus Shot Me In the Head” (Poor Moon, 2011) or “Sufferer” (Haw, 2013). Themes of family, finding and consolidating a home and growing older but not necessarily wiser keep cropping up. While hardly entirely untroubled, Taylor’s songs are painted with a brighter palette this time around. So let’s call it Classic American Music instead. Country, had that not become shorthand for unadventurous replications of tricks perfected back in the day by Gram Parsons and Neil Young. Set to music that’s big on folk, country, soul and other staples of US music history but refuses to yield to genre boundaries, theirs is a rootsy yet open-eared sound that could be described as Alt. Centred on songwriter MC Taylor and multi-instrumentalist/producer Scott Hirsch (musical companions since the widescreen, underrated California outfit The Court & Spark), the North Carolina collective’s past output has cultivated scenarios that balance precariously - and deliciously - between the dust-blown realism of the here and now and timeless myths spelt out in language that would be right at home on the pages of a yellowed-out paperback bible. 2, Merge Records will release Devotion: Songs About Rivers and Spirits and Children, a limited-edition deluxe box set which includes remastered reissues of the early albums Bad Debt, Poor Moon, and Haw as well as Virgo Fool, a rarities compilation released exclusively through this collection.A sunnier proposition than its often brooding, justifiably praised predecessors, Hiss Golden Messenger’s fifth studio album refuses to accept that doom and gloom alone equal goodness. Hiss Golden Messenger has tour dates planned through the end of this year, including a date in Nashville opening for John Prine. "I told my daughter I would write a song for her birthday," he says, "And because she's five and she likes solid shapes, her song is called 'Happy Birthday.'" Listen to hear how she liked it. The band close with a new song, "Happy Birthday," dedicated to Taylor's youngest child. The band runs through a set of songs from throughout its prolific career, beginning with "Red Rose Nantahala" from its 2013 album H aw, and three songs from the band's 2017 Merge Records release Hallelujah Anyhow. Bates on drums and Josh Kaufman on guitar. Taylor is accompanied by Phil Cook on guitar, harmonica and piano, Michael Libramento on bass, J.T. Host Larry Groce describes the band as a perfect artist for the program since its sound incorporates various styles of music, all of which you'll hear in the band's second appearance on Mountain Stage. Hiss Golden Messenger performs on Mountain Stage.īased in Durham, N.C., Hiss Golden Messenger is the band from singer-songwriter and guitarist M.C.
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